{"id":3236,"date":"2022-10-12T18:03:46","date_gmt":"2022-10-12T16:03:46","guid":{"rendered":"http:\/\/galerienem.cluster011.ovh.net\/accueil\/"},"modified":"2026-09-11T14:02:50","modified_gmt":"2026-09-11T12:02:50","slug":"accueil","status":"publish","type":"page","link":"https:\/\/www.galerienicolasbourriaud.com\/en\/","title":{"rendered":"HOME"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][rev_slider_vc alias=&#8221;slides-home&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row gap=&#8221;35&#8243; el_class=&#8221;.marge-colonne&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\"><a href=\".\/project\/sculptures-xixeme\/\">19th Century Sculptures<\/a><\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_single_image image=&#8221;14796&#8243; img_size=&#8221;514&#215;604&#8243; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/project\/sculptures-xixeme\/&#8221;][vc_empty_space][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\"><a href=\".\/project\/animaliers-xixeme\/\">19th Century Animals<\/a><\/h2>\n<p>[\/vc_column_text][vc_single_image image=&#8221;14147&#8243; img_size=&#8221;514&#215;604&#8243; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/project\/animaliers-xixeme\/&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;260px&#8221;][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\"><a href=\".\/chefs-doeuvre\/\">Masterpieces<\/a><\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_single_image image=&#8221;13963&#8243; img_size=&#8221;640&#215;785&#8243; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/chefs-doeuvre\/&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\"><a href=\".\/project\/sculptures-xxeme\/\">20th Century Sculptures<\/a><\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_single_image image=&#8221;14305&#8243; img_size=&#8221;514&#215;604&#8243; alignment=&#8221;right&#8221; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/project\/sculptures-xxeme\/&#8221;][vc_empty_space][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\"><a href=\".\/project\/animaliers-xxeme\/\">20th Century Animals<\/a><\/h2>\n<p>[\/vc_column_text][vc_single_image image=&#8221;14187&#8243; img_size=&#8221;514&#215;604&#8243; alignment=&#8221;right&#8221; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/project\/animaliers-xxeme\/&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;52px&#8221;]<div class=\"hr-thin style-line accent-border-color\" style=\"width: 100%;\"><\/div>[vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243; el_class=&#8221;.marge-colonne&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3 style=\"text-align: left;\"><a href=\".\/expertise\/\"><span style=\"color: #dab53c;\">Nicolas BOURRIAUD<\/span><\/a><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_single_image image=&#8221;196&#8243; img_size=&#8221;436&#215;603&#8243; onclick=&#8221;custom_link&#8221; link=&#8221;.\/expertise\/&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_empty_space height=&#8221;44px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\">I have a passion for the 19th and 20th century sculpture since my teenage years and happily began my career at an early age, in 2010, at the Louvre des Antiquaires. This fruitful experience allowed me to open my first gallery in 2015 at <strong>205, rue du Faubourg Saint-Honor\u00e9<\/strong> close to the Champs-Elys\u00e9es. In 2020, I set up a second gallery, located on the left bank of the Seine, at <strong>1 quai Voltaire<\/strong>, opposite the Louvre.<\/p>\n<p style=\"text-align: center;\">These two exceptional locations gave me the opportunity to develop my collection of sculptures from different angles, which were constantly renewed.<\/p>\n<p style=\"text-align: center;\">Up to now, we have held no less than thirteen exhibitions, including &#8216;<strong>Antoine-Louis Barye<\/strong>&#8216;, &#8216;<strong>Rodin&#8217;s influence on sculpture<\/strong>&#8216;, &#8216;<strong>Groupe des Douze<\/strong>&#8216;, &#8216;<strong>Guyot<\/strong>&#8216;, etc. All figurative and animal sculptures that have been presented were selected with an utmost rigour for their aesthetic as well as their technical qualities.<br \/>\nWorks by some of the greatest sculptors such as <strong>Barye<\/strong>, <strong>Belmondo<\/strong>, <strong>Bugatti<\/strong>, <strong>Carpeaux<\/strong>, <strong>Dalou<\/strong>, <strong>Godchaux<\/strong>, <strong>Guyot<\/strong>, <strong>Rodin<\/strong>, <strong>Pompon<\/strong> and <strong>Sandoz<\/strong> are currently being displayed in our two galleries. An outstanding collection of bronze artworks with nuanced patinas stamped by prestigious foundries such as <strong>Barbedienne<\/strong>, <strong>H\u00e9brard<\/strong>, <strong>Rudier<\/strong>, <strong>Siot Decauville<\/strong>, <strong>Susse<\/strong>, <strong>Valsuani<\/strong> etc. , which is also enriched by remarkable marble, terracotta, biscuit, sandstone and plaster sculptures.<\/p>\n<p style=\"text-align: center;\">Nicolas Bourriaud is a member of the Chambre Nationale des Experts Sp\u00e9cialis\u00e9s en objets d&#8217;art et de collection (<strong>CNES<\/strong>) and of the Syndicat National des Antiquaires (<strong>SNA<\/strong>).<\/p>\n<p style=\"text-align: center;\">In 2025, he was elected President of the National Chamber of Specialized Experts (<strong>CNES<\/strong>).<\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;22px&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;198&#8243; img_size=&#8221;67&#215;67&#8243; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;https:\/\/www.experts-cnes.fr\/1\/fr\/expert\/expert\/39&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;199&#8243; img_size=&#8221;100&#215;64&#8243; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;https:\/\/www.sna-france.com\/en\/member-detail\/38\/galeries-nicolas-bourriaud&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3 style=\"text-align: right;\"><a href=\".\/project\/antoine-louis-barye-1795-1875\/\"><span style=\"color: #dab53c;\">Antoine-Louis BARYE<\/span><\/a><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_single_image image=&#8221;13433&#8243; img_size=&#8221;436&#215;603&#8243; alignment=&#8221;right&#8221; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/project\/antoine-louis-barye-1795-1875\/&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;52px&#8221;]<div class=\"hr-thin style-line accent-border-color\" style=\"width: 100%;\"><\/div>[vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row el_class=&#8221;.marge-colonne&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h3 style=\"text-align: left;\"><a href=\"https:\/\/www.tefaf.com\/fairs\/exhibitors\/bour\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #dab53c;\">Forthcoming Events<\/span><\/a><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_single_image image=&#8221;15099&#8243; img_size=&#8221;280&#215;280&#8243; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; css=&#8221;&#8221; link=&#8221;https:\/\/finearts-paris.com\/presentation\/nicolas-bourriaud\/&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #dab53c;\">Follow us on Instagram<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;10px&#8221;][vc_column_text]\n<div id=\"sb_instagram\"  class=\"sbi sbi_mob_col_1 sbi_tab_col_2 sbi_col_4 sbi_width_resp sbi_palette_light\" style=\"padding-bottom: 10px;\"\t data-feedid=\"*1\"  data-res=\"auto\" data-cols=\"4\" data-colsmobile=\"1\" data-colstablet=\"2\" data-num=\"4\" data-nummobile=\"4\" data-item-padding=\"5\"\t data-shortcode-atts=\"{&quot;feed&quot;:&quot;1&quot;}\"  data-postid=\"3236\" data-locatornonce=\"9d9a134436\" data-imageaspectratio=\"1:1\" data-sbi-flags=\"favorLocal\">\n\t\n\t<div id=\"sbi_images\"  style=\"gap: 10px;\">\n\t\t<div class=\"sbi_item sbi_type_carousel sbi_new sbi_transition\"\n\tid=\"sbi_18064637669602896\" 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class=\"sbi-screenreader\">\u2192 J-3 Preview @fineartsparisfair   \u00ab La sculpture<\/span>\n\t\t\t<svg class=\"svg-inline--fa fa-clone fa-w-16 sbi_lightbox_carousel_icon\" aria-hidden=\"true\" aria-label=\"Clone\" data-fa-pro\u0192cessed=\"\" data-prefix=\"far\" data-icon=\"clone\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\">\n                    <path fill=\"currentColor\" d=\"M464 0H144c-26.51 0-48 21.49-48 48v48H48c-26.51 0-48 21.49-48 48v320c0 26.51 21.49 48 48 48h320c26.51 0 48-21.49 48-48v-48h48c26.51 0 48-21.49 48-48V48c0-26.51-21.49-48-48-48zM362 464H54a6 6 0 0 1-6-6V150a6 6 0 0 1 6-6h42v224c0 26.51 21.49 48 48 48h224v42a6 6 0 0 1-6 6zm96-96H150a6 6 0 0 1-6-6V54a6 6 0 0 1 6-6h308a6 6 0 0 1 6 6v308a6 6 0 0 1-6 6z\"><\/path>\n                <\/svg>\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.galerienicolasbourriaud.com\/wp-content\/plugins\/instagram-feed\/img\/placeholder.png\" alt=\"\u2192 J-3 Preview @fineartsparisfair \n\n\u00ab La sculpture doit \u00eatre simple et belle comme une roche, une montagne, une rivi\u00e8re, une fleur. \u00bb \u2014 Csaky\n\nEn janvier 1930, la revue Montparnasse consacre une importante monographie au sculpteur, r\u00e9dig\u00e9e par George Waldemar. Sur pr\u00e8s de vingt ann\u00e9es, l\u2019auteur retrace l\u2019\u00e9volution d\u2019un artiste qui passe du cubisme des d\u00e9buts aux formes plus sereines et sensuelles de sa maturit\u00e9.\n\nPeu \u00e0 peu, les cubes, c\u00f4nes et angles droits laissent place aux courbes, aux modulations de la lumi\u00e8re et \u00e0 une figure humaine plus libre. Csaky affirme alors une sculpture plus \u00e9quilibr\u00e9e, fond\u00e9e sur la simplicit\u00e9, l\u2019\u00e9l\u00e9gance et la justesse des proportions.\n\nEn 1934, la galerie Huinck &amp; Scherjon d\u2019Amsterdam pr\u00e9sente ses \u0153uvres r\u00e9centes, t\u00e9moignant de cette nouvelle p\u00e9riode figurative. Parmi elles figurent huit bronzes fondus par la maison Rudier entre 1928 et 1930, dont Femme dormant, n\u00b029.\nUne \u0153uvre qui illustre parfaitement cette \u00e9volution : d\u2019une g\u00e9om\u00e9trie affirm\u00e9e vers une sculpture o\u00f9 la lumi\u00e8re et la douceur des formes prennent toute leur place.\n\nJoseph Csaky (1888-1971)\nFemme dormant\nBronze \u00e0 patine brun nuanc\u00e9, sign\u00e9 \u00ab CSAKY \u00bb.\nFonte d\u2019Alexis Rudier, porte la marque du fondeur\n\u00ab ALEXIS.RUDIER \/ FONDEUR.PARIS \u00bb\nH. 17,2 x L. 41,1 x P. 16,5 cm\n11 mars 1930\nVraisemblablement pi\u00e8ce unique\n\nD\u00e9couvrez cette sculpture sur notre stand S05 du 19 au 23 septembre au Grand Palais\n\n#fineartsparis #granpalais #csaky #galerienicolasbourriaud #cnes\" aria-hidden=\"true\">\n\t\t<\/a>\n\t<\/div>\n<\/div><div class=\"sbi_item sbi_type_carousel sbi_new sbi_transition\"\n\tid=\"sbi_18105304517224698\" data-date=\"1788954144\">\n\t<div class=\"sbi_photo_wrap\">\n\t\t<a class=\"sbi_photo\" href=\"https:\/\/www.instagram.com\/p\/DdELevRCLTi\/\" target=\"_blank\" rel=\"noopener 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class=\"sbi-screenreader\">\u2192 Preview @fineartsparisfair   Quand l\u2019observation<\/span>\n\t\t\t<svg class=\"svg-inline--fa fa-clone fa-w-16 sbi_lightbox_carousel_icon\" aria-hidden=\"true\" aria-label=\"Clone\" data-fa-pro\u0192cessed=\"\" data-prefix=\"far\" data-icon=\"clone\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\">\n                    <path fill=\"currentColor\" d=\"M464 0H144c-26.51 0-48 21.49-48 48v48H48c-26.51 0-48 21.49-48 48v320c0 26.51 21.49 48 48 48h320c26.51 0 48-21.49 48-48v-48h48c26.51 0 48-21.49 48-48V48c0-26.51-21.49-48-48-48zM362 464H54a6 6 0 0 1-6-6V150a6 6 0 0 1 6-6h42v224c0 26.51 21.49 48 48 48h224v42a6 6 0 0 1-6 6zm96-96H150a6 6 0 0 1-6-6V54a6 6 0 0 1 6-6h308a6 6 0 0 1 6 6v308a6 6 0 0 1-6 6z\"><\/path>\n                <\/svg>\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.galerienicolasbourriaud.com\/wp-content\/plugins\/instagram-feed\/img\/placeholder.png\" alt=\"\u2192 Preview @fineartsparisfair \n\nQuand l\u2019observation de la nature devient sculpture : l\u2019\u00e9l\u00e9gance intemporelle d\u2019Armand Petersen.\n\nConsid\u00e9r\u00e9 comme l\u2019un des plus grands sculpteurs animaliers fran\u00e7ais du XXe si\u00e8cle, Petersen se forme d\u2019abord \u00e0 Gen\u00e8ve, o\u00f9 il \u00e9tudie l\u2019orf\u00e8vrerie et la ciselure, d\u00e9veloppant tr\u00e8s t\u00f4t un go\u00fbt pour la pr\u00e9cision et le travail minutieux. Install\u00e9 ensuite \u00e0 Paris puis en Hongrie, il se consacre au modelage et d\u00e9couvre l\u2019observation directe des animaux, qui devient rapidement au c\u0153ur de son \u0153uvre.\n\nSon int\u00e9r\u00eat pour la sculpture animali\u00e8re s\u2019affirme pleinement \u00e0 partir de 1926, lorsqu\u2019il travaille \u00e0 la fauverie du Jardin des Plantes. Proche de Fran\u00e7ois Pompon, Petersen partage avec lui une m\u00eame recherche : saisir l\u2019animal dans ses attitudes naturelles et en traduire les lignes essentielles avec une remarquable \u00e9conomie de moyens.\n\nCr\u00e9\u00e9e en 1931, Panth\u00e8re se l\u00e9chant illustre parfaitement cette approche. L\u2019animal est repr\u00e9sent\u00e9 dans un geste familier, dont la souplesse souligne la rondeur et l\u2019harmonie des volumes. Derri\u00e8re l\u2019apparente simplicit\u00e9 des formes se r\u00e9v\u00e8le une profonde ma\u00eetrise de l\u2019anatomie et un remarquable travail de synth\u00e8se.\n\nNotre exemplaire est une tr\u00e8s belle fonte au sable, rev\u00eatue d\u2019une patine brune d\u00e9licatement nuanc\u00e9e de vert. La qualit\u00e9 de son ex\u00e9cution et les caract\u00e9ristiques de sa patine \u00e9voquent les productions des ann\u00e9es 1940 et pourraient permettre de la rapprocher des premi\u00e8res fontes au sable r\u00e9alis\u00e9es pour ce mod\u00e8le.\n\nPanth\u00e8re se l\u00e9chant (1931)\nBronze \u00e0 patine brun nuanc\u00e9, sign\u00e9 \u00ab PETERSEN \u00bb\nFonte au sable de Susse, porte la pastille du fondeur ainsi que la marque \u00ab Susse Frs\nEds Paris \u00bb et l\u2019estampille \u00ab BRONZE \u00bb\nH. 17,5 x L. 20 x P. 10 cm\nCirca 1945\n\nD\u00e9couvrez cette sculpture sur notre stand S05 du 19 au 23 septembre au Grand Palais\n\n#fineartsparis #grandpalais #galerienicolasbourriaud #petersen #bronzeanimalier\" aria-hidden=\"true\">\n\t\t<\/a>\n\t<\/div>\n<\/div><div class=\"sbi_item sbi_type_carousel sbi_new sbi_transition\"\n\tid=\"sbi_18126977821703960\" data-date=\"1787665298\">\n\t<div class=\"sbi_photo_wrap\">\n\t\t<a class=\"sbi_photo\" href=\"https:\/\/www.instagram.com\/p\/DcdxM3kCB3C\/\" target=\"_blank\" rel=\"noopener 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class=\"sbi-screenreader\">\u2192 Preview @fineartsparisfair  D\u00e9couvrez cette scul<\/span>\n\t\t\t<svg class=\"svg-inline--fa fa-clone fa-w-16 sbi_lightbox_carousel_icon\" aria-hidden=\"true\" aria-label=\"Clone\" data-fa-pro\u0192cessed=\"\" data-prefix=\"far\" data-icon=\"clone\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\">\n                    <path fill=\"currentColor\" d=\"M464 0H144c-26.51 0-48 21.49-48 48v48H48c-26.51 0-48 21.49-48 48v320c0 26.51 21.49 48 48 48h320c26.51 0 48-21.49 48-48v-48h48c26.51 0 48-21.49 48-48V48c0-26.51-21.49-48-48-48zM362 464H54a6 6 0 0 1-6-6V150a6 6 0 0 1 6-6h42v224c0 26.51 21.49 48 48 48h224v42a6 6 0 0 1-6 6zm96-96H150a6 6 0 0 1-6-6V54a6 6 0 0 1 6-6h308a6 6 0 0 1 6 6v308a6 6 0 0 1-6 6z\"><\/path>\n                <\/svg>\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.galerienicolasbourriaud.com\/wp-content\/plugins\/instagram-feed\/img\/placeholder.png\" alt=\"\u2192 Preview @fineartsparisfair \nD\u00e9couvrez cette sculpture sur notre stand S05 du 19 au 23 septembre au Grand Palais\n\nCe Orph\u00e9e de Pierre-Alfred-No\u00ebl Cazaubon s\u2019inscrit dans le sillage de Maillol et de Bourdelle, avec une volont\u00e9 de donner \u00e0 la sculpture une dimension monumentale, pens\u00e9e pour occuper pleinement l\u2019espace.\n\nCazaubon repr\u00e9sente ici Orph\u00e9e, h\u00e9ros mythologique descendu aux Enfers pour retrouver Eurydice. Debout, nu et \u00e9lanc\u00e9, les bras lev\u00e9s, il tient sa lyre au-dessus de sa t\u00eate dans une attitude \u00e0 la fois \u00e9l\u00e9gante et profond\u00e9ment dynamique.\n\nLa fluidit\u00e9 des lignes, les formes \u00e9pur\u00e9es et stylis\u00e9es ainsi que le model\u00e9 doux et vibrant font \u00e9cho au travail de Maillol, tout en donnant \u00e0 cette figure une \u00e9nergie et une grande modernit\u00e9.\n\nCette \u0153uvre rappelle \u00e9galement l\u2019Apollon musag\u00e8te d\u2019Henri Bouchard, autre sculpture monumentale en bronze r\u00e9alis\u00e9e pour le Palais de Chaillot. L\u00e0 o\u00f9 Bouchard privil\u00e9gie une figure puissante et statique, Cazaubon donne \u00e0 Orph\u00e9e un mouvement saisissant.\n\nSa r\u00e9alisation constitue enfin une v\u00e9ritable prouesse technique : ce bronze monumental a \u00e9t\u00e9 fondu \u00e0 la cire perdue en deux parties, ensuite soud\u00e9es. Une fonte exceptionnelle r\u00e9alis\u00e9e par Attilio Valsuani, fr\u00e8re de Claude Valsuani.\n\n#fineartsparis #galerienicolasbourriaud #grandpalais #orph\u00e9e #sculpturemodern\" aria-hidden=\"true\">\n\t\t<\/a>\n\t<\/div>\n<\/div><div class=\"sbi_item sbi_type_carousel sbi_new sbi_transition\"\n\tid=\"sbi_18336963604249670\" data-date=\"1787148301\">\n\t<div class=\"sbi_photo_wrap\">\n\t\t<a class=\"sbi_photo\" href=\"https:\/\/www.instagram.com\/p\/DcOXKhHk9SX\/\" target=\"_blank\" rel=\"noopener 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class=\"sbi-screenreader\">\u2192 Preview @fineartsparisfair  D\u00e9couvrez cette scul<\/span>\n\t\t\t<svg class=\"svg-inline--fa fa-clone fa-w-16 sbi_lightbox_carousel_icon\" aria-hidden=\"true\" aria-label=\"Clone\" data-fa-pro\u0192cessed=\"\" data-prefix=\"far\" data-icon=\"clone\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\">\n                    <path fill=\"currentColor\" d=\"M464 0H144c-26.51 0-48 21.49-48 48v48H48c-26.51 0-48 21.49-48 48v320c0 26.51 21.49 48 48 48h320c26.51 0 48-21.49 48-48v-48h48c26.51 0 48-21.49 48-48V48c0-26.51-21.49-48-48-48zM362 464H54a6 6 0 0 1-6-6V150a6 6 0 0 1 6-6h42v224c0 26.51 21.49 48 48 48h224v42a6 6 0 0 1-6 6zm96-96H150a6 6 0 0 1-6-6V54a6 6 0 0 1 6-6h308a6 6 0 0 1 6 6v308a6 6 0 0 1-6 6z\"><\/path>\n                <\/svg>\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.galerienicolasbourriaud.com\/wp-content\/plugins\/instagram-feed\/img\/placeholder.png\" alt=\"\u2192 Preview @fineartsparisfair \nD\u00e9couvrez cette sculpture sur notre stand S05 du 19 au 23 septembre au Grand Palais\n\nLa Pleureuse est l\u2019une des variations d\u2019une s\u00e9rie de masques con\u00e7us \u00e0 l\u2019origine pour La Porte de l\u2019Enfer d\u2019Auguste Rodin. Elle devait notamment appara\u00eetre dans un bas-relief repr\u00e9sentant des centaures, cr\u00e9atures infernales mi-homme, mi-cheval torturant les damn\u00e9s. Finalement retir\u00e9 par Rodin, ce bas-relief ne figure pas dans la version d\u00e9finitive de l\u2019\u0153uvre.\n\nRodin conserve toutefois une affection particuli\u00e8re pour cette figure du chagrin, qui conna\u00eetra une remarquable post\u00e9rit\u00e9 comme \u0153uvre autonome. R\u00e9alis\u00e9e en pl\u00e2tre, en marbre \u2014 avec au moins trois exemplaires \u2014 puis en bronze, La Pleureuse existe sous plusieurs versions et modes de pr\u00e9sentation.\n\nNotre T\u00eate de la Pleureuse, 2\u00e8me version pr\u00e9sente un visage aux yeux entrouverts, \u00e0 la bouche fine et ferm\u00e9e. Les cheveux, s\u00e9par\u00e9s par une raie m\u00e9diane, sont repouss\u00e9s derri\u00e8re les oreilles, tandis que l\u2019arri\u00e8re de la t\u00eate est aplati.\n\nEx\u00e9cut\u00e9e pour le mus\u00e9e Rodin en ao\u00fbt 1925, elle fut acquise par Jules E. Matsbaum (1872-1926), entrepreneur am\u00e9ricain \u00e0 l\u2019origine du mus\u00e9e Rodin de Philadelphie, lors d\u2019une importante commande pass\u00e9e en novembre 1925.\n\nGrand amateur de l\u2019\u0153uvre de Rodin, Matsbaum acquit plus de sept \u00e9preuves en bronze des diff\u00e9rentes versions de La Pleureuse en 1925 et 1926 pour le mus\u00e9e Rodin de Philadelphie, ainsi que quatre exemplaires \u00e0 titre personnel pour ses trois filles.\n\nEntre 1925 et 1927, le mus\u00e9e Rodin fit r\u00e9aliser au moins quatre exemplaires en bronze de cette 2\u00e8me version, dite \u00e9galement \u00ab version au cou coup\u00e9 \u00e0 mi-hauteur et \u00e0 la chevelure asym\u00e9trique \u00bb, par la fonderie Alexis Rudier.\n\n#AugusteRodin #Rodin #fineartsparis #grandpalais #galerienicolasbourriaud\" aria-hidden=\"true\">\n\t\t<\/a>\n\t<\/div>\n<\/div>\t<\/div>\n\n\t<div id=\"sbi_load\" >\n\n\t\n\t\n<\/div>\n\t\t<span class=\"sbi_resized_image_data\" data-feed-id=\"*1\"\n\t\t  data-resized=\"{&quot;18336963604249670&quot;:{&quot;id&quot;:&quot;777084775_17887439463610219_1094955085348186371_n&quot;,&quot;ratio&quot;:&quot;0.78&quot;,&quot;sizes&quot;:{&quot;full&quot;:640,&quot;low&quot;:320,&quot;thumb&quot;:150},&quot;extension&quot;:&quot;.webp&quot;},&quot;18126977821703960&quot;:{&quot;id&quot;:&quot;786391025_17888741730610219_1497134184441312379_n&quot;,&quot;ratio&quot;:&quot;0.78&quot;,&quot;sizes&quot;:{&quot;full&quot;:640,&quot;low&quot;:320,&quot;thumb&quot;:150},&quot;extension&quot;:&quot;.webp&quot;},&quot;18105304517224698&quot;:{&quot;id&quot;:&quot;801304984_17890996413610219_6836722067124681720_n&quot;,&quot;ratio&quot;:&quot;0.79&quot;,&quot;sizes&quot;:{&quot;full&quot;:640,&quot;low&quot;:320,&quot;thumb&quot;:150},&quot;extension&quot;:&quot;.webp&quot;},&quot;18064637669602896&quot;:{&quot;id&quot;:&quot;811303960_17891944344610219_5331263420202632792_n&quot;,&quot;ratio&quot;:&quot;0.78&quot;,&quot;sizes&quot;:{&quot;full&quot;:640,&quot;low&quot;:320,&quot;thumb&quot;:150},&quot;extension&quot;:&quot;.webp&quot;}}\">\n\t<\/span>\n\t<\/div>\n\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;52px&#8221;]<div class=\"hr-thin style-line accent-border-color\" style=\"width: 100%;\"><\/div>[\/vc_column][\/vc_row][vc_row el_class=&#8221;.marge-colonne&#8221;][vc_column width=&#8221;1\/5&#8243;][\/vc_column][vc_column width=&#8221;1\/5&#8243;][\/vc_column][vc_column width=&#8221;1\/5&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">NEWSLETTER<\/h4>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><script>(function() {\n\twindow.mc4wp = window.mc4wp || {\n\t\tlisteners: [],\n\t\tforms: {\n\t\t\ton: function(evt, cb) {\n\t\t\t\twindow.mc4wp.listeners.push(\n\t\t\t\t\t{\n\t\t\t\t\t\tevent   : evt,\n\t\t\t\t\t\tcallback: cb\n\t\t\t\t\t}\n\t\t\t\t);\n\t\t\t}\n\t\t}\n\t}\n})();\n<\/script><!-- Mailchimp for WordPress v4.13.0 - https:\/\/wordpress.org\/plugins\/mailchimp-for-wp\/ --><form id=\"mc4wp-form-1\" class=\"mc4wp-form mc4wp-form-4518\" method=\"post\" data-id=\"4518\" data-name=\"Nicolas Bourriaud Newsletter\" ><div class=\"mc4wp-form-fields\"><p align=\"center\">\r\n\t<label><input type=\"email\" name=\"EMAIL\" placeholder=\"Email Address\" required \/>\r\n<\/label>\r\n<\/p>\r\n<p align=\"center\">\r\n\t<input type=\"submit\" value=\"SUBMIT\" \/>\r\n<\/p><\/div><label style=\"display: none !important;\">Leave this field empty if you're human: <input type=\"text\" name=\"_mc4wp_honeypot\" value=\"\" tabindex=\"-1\" autocomplete=\"off\" \/><\/label><input type=\"hidden\" name=\"_mc4wp_timestamp\" value=\"1789658982\" \/><input type=\"hidden\" name=\"_mc4wp_form_id\" value=\"4518\" \/><input type=\"hidden\" name=\"_mc4wp_form_element_id\" value=\"mc4wp-form-1\" \/><div class=\"mc4wp-response\"><\/div><\/form><!-- \/ Mailchimp for WordPress Plugin --><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/5&#8243;][\/vc_column][vc_column width=&#8221;1\/5&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;10px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][rev_slider_vc alias=&#8221;slides-home&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row gap=&#8221;35&#8243; el_class=&#8221;.marge-colonne&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_column_text] 19th Century Sculptures [\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_single_image image=&#8221;14796&#8243; img_size=&#8221;514&#215;604&#8243; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/project\/sculptures-xixeme\/&#8221;][vc_empty_space][vc_column_text] 19th Century Animals [\/vc_column_text][vc_single_image image=&#8221;14147&#8243; img_size=&#8221;514&#215;604&#8243; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/project\/animaliers-xixeme\/&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;260px&#8221;][vc_column_text] Masterpieces [\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_single_image image=&#8221;13963&#8243; img_size=&#8221;640&#215;785&#8243; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/chefs-doeuvre\/&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text] 20th Century Sculptures [\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_single_image image=&#8221;14305&#8243; img_size=&#8221;514&#215;604&#8243; alignment=&#8221;right&#8221; onclick=&#8221;custom_link&#8221; css=&#8221;&#8221; link=&#8221;.\/project\/sculptures-xxeme\/&#8221;][vc_empty_space][vc_column_text] 20th Century Animals [\/vc_column_text][vc_single_image image=&#8221;14187&#8243; img_size=&#8221;514&#215;604&#8243; alignment=&#8221;right&#8221; onclick=&#8221;custom_link&#8221;&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3236","page","type-page","status-publish","hentry","description-off"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.galerienicolasbourriaud.com\/en\/wp-json\/wp\/v2\/pages\/3236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galerienicolasbourriaud.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.galerienicolasbourriaud.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.galerienicolasbourriaud.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galerienicolasbourriaud.com\/en\/wp-json\/wp\/v2\/comments?post=3236"}],"version-history":[{"count":95,"href":"https:\/\/www.galerienicolasbourriaud.com\/en\/wp-json\/wp\/v2\/pages\/3236\/revisions"}],"predecessor-version":[{"id":15120,"href":"https:\/\/www.galerienicolasbourriaud.com\/en\/wp-json\/wp\/v2\/pages\/3236\/revisions\/15120"}],"wp:attachment":[{"href":"https:\/\/www.galerienicolasbourriaud.com\/en\/wp-json\/wp\/v2\/media?parent=3236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}